Painters are always moved unconsciously by the beauty of lines and colours…their mutal relationships enchant, and are of more interest than what they might represent. In it Tschichold argued that typographic consistency is a necessary precursor to understanding, and described designers as akin to engineers. The Grid and Swiss Typography Early modernists had explored layout, space, and scale. In what is still the most famous discussion of the use of grids in modern art Rosalind Krauss denied the importance of a correspondence between the grid in modern painting and its use in pre-modernist art. What do a brick, map, tablet, ledger, screen, and box have in common? In the early s, however, artists Lev Nusberg and Francisco Infante founders of the Movement Group recognised the value of science for the arts. Your comments toward the end of this brief article are, in my view, exactly right, though perhaps too cautious. Surely what we are really seeing is not a liberation of the body into the form of the grid, but in fact the imposition of the grid to such an extent that the body is forced into following its order. It kraus deeply embedded in the material facts of human society.
I find myself constantly teeter-tottering between the two: In my own work, I move back and forth between making drawings from my paintings and then paintings from my drawings. The marriage of formalism and politics has rlsalind the history of Russian art since the Revolution when avant-garde artists proposed using non-objective forms to serve political causes and disseminate political messages. (file size: MB, MIME type: application/pdf). Author(s): Rosalind Krauss Reviewed work(s): Source: October, Vol. Published by: The MIT Press Stable URL: Grids. Grids – Rosalind Krauss Source: October, Vol.
0 kommentar(er)
